In Leaving Alexandria Richard Holloway recalls Virginia Woolf’s tract Three Guineas (originally published in 1937) in which she contrasts the private house (woman’s sphere) with public life (man’s sphere):
Your world then, the world of professional, of public life, seen from this angle, undoubtedly looks queer.
At first sight it is enormously impressive. Within a small space are crowded together St Paul’s, the Bank of England, the Mansion House, the massive if funereal battlements of the Law Courts: and on the other side, Westminster Abbey and the Houses of Parliament. There we say to ourselves, pausing, in this moment of transition on the bridge, our fathers and brothers have spent their lives. All these hundreds of years they have been mounting those steps, passing in and out of those doors, ascending those pulpits, preaching, money making, administering justice. It is from this world that the private house … has derived its creeds, its laws, its clothes and carpets, its beef and mutton. And then, as is now permissible, cautiously pushing aside the swing doors of one of these temples, we enter on tiptoe and survey the scene in greater detail.
The first sensation of colossal size, of majestic masonry is broken into a myriad points of amazement mixed with interrogation. Your clothes in the first place make us gape with astonishment. How many, how splendid, how extremely ornate they are – the clothes worn by the educated man in his public capacity! Now you dress in violet; a jewelled crucifix swings on your breast; now your shoulders are covered with lace; now furred with ermine; now slung with many linked chains set with precious stones. Now you wear wigs on your heads; rows of graduated curls descend your necks. Now your hats are boat-shaped, or cocked; now they mount in cones of black fur; now they are made of brass and scuttle-shaped; now plumes of red, now of blue hair surmount them. Sometimes gowns cover your legs; sometimes gaiters. Tabards embroidered with lions and unicorns swing from your shoulders; metal objects cut in star shapes or in circles glitter and twinkle upon your breasts. Ribbons of all colours – blue, purple, crimson – cross from shoulder to shoulder.
Even stranger, however, than the symbolic splendour of your clothes are the ceremonies that take place when you wear them. here you kneel; there you bow; here you advance in procession behind a man carrying a silver poker; here you mount a carved chair; here you appear to do homage to a piece of painted wood; here you abase yourselves before tables covered with richly worked tapestry. And whatever these ceremonies may mean you perform them always together, always in step, always in the uniform proper to the man and the occasion.
The photo is of the Royal Exchange in London by Synwell