Tag: lament

Sunflowers weeping

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kiefer_hortus_conclusus.990x0

The sunflowers weep. Anselm Kiefer has done several paintings of sunflowers. He was born in 1945 in Germany, two months before the end of the war. It is hard to imagine the state of mind of the German nation at that time – on the edge of a shameful defeat, confronting the horrors of their totalitarian regime and, of course, the Holocaust. How does a society ever recover from sinking that abysmally low?

Anselm Kiefer has been determined to confront  his culture’s dark past. Here, the sunflower weeps. The sunflower looks so different in Kiefer’s work to the glory of its portrayal by Van Gogh. In Kiefer’s work, the sunflower stands for the national shame. Once proud and tall, the sunflower hangs its head in shame and disgrace – and weeps.

We can see the tears falling – they are the sunflowers going to seed. The seed is watering the earth for a new cycle of life – for a better season.

I was hoping to use this picture in a sermon – (particularly appropriate for Holocaust Memorial Day). I asked myself, “is Kiefer a Christian?”. Then I thought, “what is the point of that question?”, and “what an ugly question to be asking”. In that question there is a “as opposed to what?” – as in “if he is not a Christian then what is he?”. It becomes “Is he a Christian – (as opposed to a Jew)?” See what I mean. It’s an ugly question, particularly on Holocaust Memorial Day.

Kiefer is an artist in the business of lament and hope. There are plenty of others – largely inspired by the Jewish artists and prophets of the Hebrew scriptures.

In the beginning you weep

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In the beginning you weep. The starting point for many things is grief, at the place where endings seem so absolute. One would think it should be otherwise but the pain … Is antecedent to every new opening in our lives.

Belden Lane in The Solace of Fierce Landscapes

David Runcorn uses this quote to introduce the “unexpected starting place” of leadership in 1 and 2 Samuel in Fear and Trust. There patriarchy, represented by Hannah’s husband Elkanah and Eli, the priest at Shiloh. Patriarchal leadership had produced a very barren spiritual landscape. The unexpected starting place is a childless woman who Eli thought was a drunk.

Exile

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By_the_Rivers_of_Babylon

This beautiful photo By the Rivers of Babylon is by HungLiu. By the rivers of Babylon we sat down and wept.

This is one of the most poignant lines in Scripture (Psalm 137:1) recalling such sad times of exile. Those exiles wondered “how can we sing the Lord’s song in a strange land”.

Ben Quash, in Abiding, reminds us of the wisdom that the people of God are nearer to God “when they are in some sort of exile”. The Letter to Hebrews reminds us that “we have no abiding city” and Jesus has warning for those who feel too much at home in this world. Exile and the loss of home(land) must be an awful experience, shaking people to the roots of their identity. I don’t know whether it would be possible to sing any sort of song in such a strange land.

Quash, and many others, suggest that Christians should choose exile. This is “some sort of exile” which may, or may not have the brutality of violent removal and fearful flight. Quash refers to Hauerwas and Yoder who commend life lived “out of control”, “without the compulsion to hold on to the strings of power”. This is some sort of exile which is a walking with God who showed himself in Jesus as having nowhere to lay his head and who finished his days on the dump outside Jerusalem’s city wall.

The Jewish prophet Jeremiah points the way to vocation found in exile. He makes the “prison” of exile into a far more constructive way of life. He writes: “Seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare.”

It is countercultural and strange to live “out of control”, accepting exilic status and praying for our enemies. It means that we are no longer to see ourselves as “host” but as “guest”. (It may be that the Church can’t be trusted with being “host”. There have been so many complaints about the abuse of power by the Church “in control”). When Jeremiah suggests that the exiles “pray for the welfare of the city” he is encouraging them to be “good guests”. The exiles’ vocation was, and is, how to be a blessing to a host culture on territory which is strange, without losing heart.

I have loved justice and hated iniquity, therefore I die in exile.
Pope Gregory VII

Our own culture is strange. There are many things that go on in society which are strange ways. Many aspects of social policy (I am thinking of the “bedroom tax” and other impending welfare reforms and the impoverishment of families and children) are out of our control. We don’t see the world in the same way. Our values are different. In many ways, we are in a strange land. Most of us don’t bear the physical hardships of those in refugee camps, but there is much that we lament. How do we sing the Lord’s song in a strange land?

Singing the Lord’s song in this strange land is something Jeremiah and Quosh insist that we do. The worship offered by exiles is, according to Quash, both resistance and gift. Quash writes:

God’s will to restore people to freedom before him, to overturn the idolatrous service of other gods, needs people who will use their voices to ‘sing his new song’ …

The early Christians may have handled the currency of the Empire each day, but before any of that, before sunrise, they met as the people of God, as the Church. That was their true city, their real ‘kingdom’, their Jerusalem. Christians’ present challenge too, is to live and work in the world in such a way that the song they sing as people in the Church is strong enough and beautiful enough to relativise ad transform other less sacred songs.

Ero Cras

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The Antiphons are one of the cool features of Advent prayer as Christians look forward to the coming of the Kingdom of God. There are seven Antiphons. They all begin with “O”, which is then followed by a title or attribute of Christ. There is one antiphon for each day of the week from December 17th. The Christian faith is spelled out in the initials of the Latin titles in the antiphons. Each title is drawn from Isaiah’s prophecy. Here’s the list (thank you wikipedia), together with reference to Isaiah:

  1. December 17th: O Sapientia (O Wisdom) – Isaiah 11:2f; 28:29
  2. December 18th: O Adonai (O Lord) – Isaiah 11:4-5; 33:22
  3. December 19th: O Radix Jesse (O Root of Jesse) – Isaiah 11:1 and 10
  4. December 20th: O Clavis David (O Key of David) – Isaiah 22:22, 9:7 and 42:7
  5. December 21st: O Oriens (O Dayspring) – Isaiah 9:2
  6. December 22nd: O Rex Gentium (O King of the nations) – Isaiah 9:6 ; 2:4
  7. December 23rd: O Emmanuel (O God who is with us) – Isaiah :14

The initials read backwards from the 7th to the 1st antiphon. They spell out ERO CRAS which means “Tomorrow, I will be there.”  This faith in tomorrow is borne out of the compassionate response to the realities of the present tense/tensions which are rightly seen as lamentable. Richard Beck, in an Advent meditation, describes Advent as  “sort of like a lament. Advent is being the slave in Egypt, sitting with the experience of exile. Advent is about looking for God and hoping for God in a situation where God’s promises are outstanding and yet to be fulfilled.” In a world where everything is “now”, we sometimes lose patience and sight of the fact that now was never intended to be the time, when our churches were to be full, when kingdom was to come in all its fullness. Now is a time of exile, a time of alienation, a time for not being at home in the world, a time of waiting for tomorrow, a time of lament, a time for hope.

Enya captures the spirit of waiting and the hope of tomorrow as she sings the 7th of the antiphons – part of the hymn O come, O come Emmanuel .which paraphrases the seven antiphons.

You may be interested to read about the long now.