|a work of art in the Cheshire countryside|
It has been good to be involved in the development of an Arts & Faith Network (for the Diocese of Chester), and to be “breathing space” at Stephen Broadbent’s studio yesterday with textile artists, stained glass artists, wordsmiths, dancers, painters, sculptors, actors, authors, poets, cooks, singers, preachers and “makers of pretty things”. Until yesterday the Network hadn’t been much more than an idea shared by a few people and it was difficult to put into words what it was about and what could happen. Now it has got legs, is on the road, and has its own story – “the day we met at Stephen and Lorraine’s, when our exploration of the interaction of arts and faith was facilitated by Simon Marsh with background percussion of water overflowing into a pond…..”
|The (overflowing) River of Life
sculpture by Stephen Broadbent
at Warrington at the site of a terrorist bomb explosion
which killed two children.
There were so many good things, including a wonderful rendition of The Rose by Simon (spoken, not sung), and, we discovered a “surplus of meaning” as we joined our own creative endeavours to those of others. Surplus of meaning doesn’t mean that there is too much – rather, there is so much. The meaning of our insulation block sculptures co-mingled with the meaning given to them by others, with meaning pinned to meaning. Of course, Ricoeur was right. There is a surplus meaning as one meaning gives itself to another, transforming itself in the giving. Nothing we can do, or create can provide an adequate container for our meaning. Meaning is so abundant it has to overflow. It overflows into convivial and meaningful community, good times, great company.
There are, though, those in whom there is no sense of meaning – including some in this emerging network who described the meaninglessness of past experiences. Is this where art and faith come together, making sense when we are oppressively or depressively crushed?