The Art of Hearing Heartbeats

The Art of Hearing Heartbeats is Jan-Philipp Sendker’s first novel. It has a fairy tale feel and is set in Burma.

This book is a lovely telling of a woman overcoming her sense of resentment and betrayal through hearing the story of her lost father. The story-telling helps Julia and the reader see life in a different way, as Tin Win (with the help of Mi Mi and U May) makes sense of his blindness through his sense of hearing.

Mi Mi can’t walk, Tin Win can’t see – together they make the perfect couple (is it an unconscious retelling of the Genesis creation story against the background of a Burmese village?)

It is a book about seeing. U May (blind Buddhist monk), speaking to Tin Win: “It’s true, I lost my eyesight many years ago. But that doesn’t mean I’m blind … the true essence of things is invisible to the eyes. Our sensory organs love to lead us astray, and eyes are the most deceptive of all. We rely too heavily upon them. We believe that we see the world around us, and yet it is only the surface that we perceive. We must learn to divine the true nature of things, their substance, and the eyes are rather a hindrance than a help in that regard. They distract us. We love to be dazzled.”

“A person who relies too heavily on his eyes neglects the other senses – and I mean more than his hearing or sense of smell. I’m talking about the organ within us for which we have no name, let us call it the compass of the heart… A person without eyes must be aware. It sounds easier than it is. You must attend to every movement and every breath. As soon as I become careless or let my mind wander, my senses lead me astray. They play tricks on me like ill-mannered children looking for attention.”

It is a book that collapses distance and challenges the perceptions of the all-seeing, all-dancing world. “There were things a person who walked through the world on two sound feet simply couldn’t understand. They believed that people saw with their eyes. That footsteps overcame distances.”

It is a book about fear (or rather, the absence of fear). Rage muddles the senses. U May, speaking to Tin Win: “Eyes and ears are not the problem, Tin Win. It is rage that blinds and deafens us. Or fear. Envy, mistrust. The world contracts, gets all out of joint when you are angry or afraid.”

It is a book about the power that is stronger than fear and rage, which brings with it the art of hearing heartbeats.

Julia’s father tells her the tale of the prince and princess from two neighbouring and enemy kingdoms. They die on the same day. The prince dies in the mouth of a croc. The princess dies of a broken heart.

“The two kings decided independently not to bury their children but to burn them on the river bank. As chance would have it, the ceremonies fell on the same day, at the same hour. The kings cursed and threatened one another, each blaming the other for the death of his child.

“It was not long before the flames were roaring and the two corpses ablaze. All at once the fires began to smoulder. It was a windless day, and two great, mighty columns of smoke climbed straight to heaven. And suddenly it grew quite still. The fires ceased their crackling, burning on without a sound. The river ceased its chortling and gurgling. Even the kings fell silent.

“Then the animals began to sing … and suddenly … the two columns of smoke drifted slowly towards each other. The louder and clearer the animals’ song, the closer the columns drew, until at last they embraced each other and became one, as only lovers can.”

I love the book. I love the title.

Achers of space – sermon notes for Easter 2

Into the wound
Easter 2B – Bromborough
Text – John 20:19-31

Jesus said: “In my house there are many rooms” (John 14:2). That is a mark of his hospitality. It’s the sort of thing that any good host will say to his/her guest. “We’ve got loads of room. We can easily make up a bed.” Good hosts say these things because they want their guests to feel at home – they want their guests to stay with them – they look forward to their company.

As Christians we love what Jesus said. We draw strength from the generous hospitality which says “In my house there are many rooms” – we want to dwell in that house where there is so much room and where there are so many openings.

Today’s Easter gospel is set in one room in which there are an abundance of openings – too many for us to get our heads round.

There’s

  • The opening of the door
  • The opening of Jesus’ mouth
  • The opening of Jesus’ hands and side

Each of them begs for an opening up of ourselves.

In Jesus there is so much opportunity for openings and the resurrection begs of us a reformed hospitality within ourselves. An RSVP is called for from each of us.

A little about each of the openings – the openings could well be a whole sermon series – but today a little on each.

Opening the door

The opening of the door –  the disciples had locked themselves in because they were afraid. And Jesus stands amongst them. How did that happen? The open door is a powerful Christian image because of this resurrection appearance.

I have fought a couple of battles in parish ministry. One was about church keys (and who should hold them) and the other was about trying to keep the church open. Like the disciples in today’s gospel the two churches were afraid – they wanted to lock themselves in because they were afraid of their communities.

I don’t know whether you keep this church open. I hope you do. And if you don’t, I hope that you give it some thought allowing Jesus’ words to those first disciples to ring in your ears. “Do not be afraid.” Just imagine the signage – “this church is open” (and all the ambiguity of such a sign!)

There are many metaphorical rooms that we retreat to – in fear, in shame. This gospel story is told time and again to encourage us to open up, to not be so afraid, to not be so ashamed – to let the spaces we move in reverberate to the sound of Jesus’ words.

RSVP

And that takes us to another opening.

Opening his mouth

Jesus’s opening words were “Peace be with you” . Three times in this short passage Jesus greets the disciples with “Peace be with you”. To his anxious and frightened friends he says “peace be with you”. We repeat those words in our greetings in the Peace. “The peace of the Lord be always with you”. (Always try to exchange the peace with at least three people to remember this Easter exchange that we celebrate this morning).

John doesn’t just say that Jesus spoke to his friends. He also tells us that he breathed on them. When he breathed on them they received the Holy Spirit. “The Lord is here. His Spirit is with us.”

Some ancient liturgies included a mouth to mouth kiss as part of the Peace to pass the breath of the Spirit, the breath of the post-resurrection meeting room  – a recall of the intimacy of that meeting with the risen Jesus. (See here.)

And what does that make of our hospitality?

RSVP

The third opening is that demanded by Thomas, doubting Thomas, Thomas the scientist who wouldn’t believe without seeing the evidence. Thomas said “I won’t believe until I see the mark of the nails in his hands, put my finger in the mark of the nails, and my hand in his side.” And Jesus showed Thomas the nail wounds in his hands, and the spear wound in his side.

I have copied a picture of the wounded side (pictured above) by Jan Richardson from her Painted Prayerbook. It is called “Into the Wound” and I offer it as an invitation for your prayer and wonder. I see it as a tear, as an opening, as a doorway.

Medieval artists gave great attention to Jesus’ wounds. They were often the subject of their art. Such attention for us seems gruesome – but we might be missing an opening.

Eamon Duffy, writing in 15th/16th century England: “the wounds of Christ are the sufferings of the poor, the outcast, and the unfortunate” – according to which acts of charity (foodbanks, nursing, hospitality) become a tending of the living, wounded, corporate body of Christ.

The wound is on his side. Maybe those of us who are on his side can see our own wounds in the wound of Jesus (the ones we’ve inflicted and the ones inflicted on us). Is there an invitation on this door? Is Jesus inviting Thomas, the disciples and all those on his side into the wound, to feel around the space, to know the love, to know the other side?

And is there a reciprocal arrangement, whereby we don’t hide our wounds but invite others into our hurting world so that we might find wholeness and healing? Jesus stands at the door and knocks. If his wound is our way into him, are our wounds his doorway to us?

This is what Jan Richardson writes:

“In wearing his wounds—even in his resurrection—he confronts us with our own and calls us to move through them into new life.

The crucified Christ challenges us to discern how our wounds will serve as doorways that lead us through our own pain and into a deeper relationship with the wounded world and with the Christ who is about the business of resurrection, for whom the wounds did not have the final word.

As Thomas reaches toward Christ, as he places his hand within the wound that Christ still bears, he is not merely grasping for concrete proof of the resurrection. He is entering into the very mystery of Christ, crossing into a new world that even now he can hardly see yet dares to move toward with the courage he has previously displayed.”

Thomas’s RSVP was “My Lord and my God” – his mind blown open, he believed.

Belief in resurrection is often thought of as a rational process. That is how Thomas approached it. But belief isn’t only about our heads. Belief isn’t a rational response but an emotional one. Belief comes from the German word which gives us beloved. “Belief” is “belove” – a believing disciple is a beloving and beloved disciple. When Thomas believes he doesn’t just open his mind, he  opens his mouth (as RSVP), his heart and his very gut where all our anxiety and fear find their home.

Jesus opens the room, he opens his mouth, he opens his wounds. We are invited through these open doorways, into a new life that without this gospel would be unimaginable.

Please RSVP.

The image Into the Wound is copyrighted to Jan Richardson and is used with permission – www.janrichardson.com

Serious houses on serious earth

locked away
I am not one for visiting churches, but I do love to see a church that is open, rather than closed. There are various reasons why churches are closed (and communities deprived of what should be public spaces). Some are afraid of the security risks (even though, according to the Open Churches Trust churches that are open have a lower risk). Sometimes the gatekeepers are forbidding in their attitudes so people feel they have to be qualified to enter – the “good enough” test. At other times people have been priced out. I am delighted to see that the price barrier at Chester Cathedral has been dropped, and that the Cathedral is now open and free to enter.

In his book, Leaving Alexandria: a Memoir of faith and doubt, Richard Holloway speaks of his love of Old St Paul’s in Edinburgh, particularly when it was empty. Old St Paul’s is a church that is kept open so that people can drift in. Holloway has this to say:

Churches that stay open unclose themselves to the sorrows of humanity and alchemise them into consolation. And not a cheap consolation. Just as artists reconcile us to our ills by the way they notice and record them, so open churches console us by the way they accept the unreconciled aspects of our natures.

They are a haven for the homeless woman whose destitution is obvious, muttering to herself over there in the back pew; but they also accept the moral destitution of the confident man sitting in the dark chapel, gazing at the white star of the sanctuary lamp, heavy with the knowledge of the compulsions that have dominated his life and refuse to leave him.

There is no reproach. Churches do not speak; they listen. Clergy speak, unstoppably. They are ‘randy’ to change, challenge or shame people into successful living. Church buildings that stay open to all know better. They understand helplessness and the weariness of failure, and have for centuries absorbed them into the mercy of their silence. This is grace.

I like the story told by Jesus from the open “church”. It is the story of the Pharisee and the tax collector and their respective prayers in Luke 18:9-14. You’d expect the Pharisee to be “there”. He is the religious one, who spends his life “there” saying his prayers and paying his tithes. He would be an approved key-holder. It’s the other one, the “tax collector” who has stolen in because the place is open. His prayer is the prayer of the people, including the prayer of the destitute woman and morally destitute high achiever referred to by Holloway. The qualification for being a tax collector was to have money for bribes, and the willingness to bribe. These were the people prepared to do the dirty deeds of the day. The building hears his confession and the cornerstone reorders his life.

Two men went up to the temple to pray, one a Pharisee and the other a tax-collector. The Pharisee, standing by himself, was praying thus, “God, I thank you that I am not like other people; thieves, rogues, adulterers, or even like this tax-collector. I fast twice a week; I give a tenth of all my income.” But the tax-collector, standing far off, would not even look up to heaven, but was beating his breast and saying, “God be merciful to me, a sinner!” I tell you, this man went down to his home justified rather than the other.
Chester Cathedral, Chester
This photo, of Chester Cathedral, is by Xavier de Jauréguiberry.
The photo, “locked away” is by Kicki.

The title of this post is taken from the poem Church Going by Philip Larkin.

Thomas

Two of our children bear Thomas in their name. Their grandfather was called Thomas. Thomas is highlighted in our Gospel today. What was he doing on this first day of the week when the other disciples were locked in in fear of the people’s anger? Did he not share the anxiety of the other disciples? Did he have more confidence?

Kate Huey, in the linked article, quotes Michael Williams’s comment about Thomas which contrasts with how Thomas is so often portrayed. He writes: “the only one amonmg the disciples who was not do filled with fear that he was unwilling to leave the disciples’ hiding place.” (see this Sunday’s gospel) Kate quotes Gail O’Day’s observation that “one week after the disciples have been visited by the risen jesus and received Jesuis’ peace and the Holy Spirit, they have once again locked themselves away behind closed doors.” Even after seeing the risen Jesus they still don’t live as an Easter people.

So was Thomas the one didn’t want to be locked away? Was he the one who wasn’t frightened? Was he the free spirit? Have we lost the truth by caricaturing him falsely as “the doubter”? And if he is the odd one out of the twelve? What does he have to say about the rest of them, and the rest of us who are similarly inclined to lock ourselves away (metaphorically) because we fear the people. What was Thomas doing?

Jan Richardson in the Painted Prayerbook has a different take on the locked room – the “secret room” as she calls this painting, and she suggests that every pilgrim needs a secret room.

She quotes Phil Cousineau’s The Art of Pilgrimage who writes this:

“Everywhere you go, there is a secret room. To discover it, you must knock on walls, as the detective does in mystery houses, and listen for the echo that protends the secret passage. You must pull books off shelves to see if the library shelf swings open to reveal the hidden room. I’ll say it again, everywhere has a secret room. You must find your own, in a small chapel, a tiny cafe, a quiet park, the home of a new firend, the pew wehere the light strikes the rose window just so. As a pilgrim you must find it or you will never understand the hidden reasons why you really left home.”

Here is sanctuary and indicates the need we all have for “retreat” for all the times when we have a choice of fight or flight and when fighting seems so hopeless. And does Jesus condemn us for locking oursleves away and trying to save our own skin? It appears not. Because to those first Christians locked in fear Jesus came with nothing other than peace. There were no recriminations for them running away or for their betrayal of his trust. All he does when he gets through their defences – past the locked doors is to “offer them greeting and gift” (Kate Huey) – “Peace be with you”.