Job – Grits and Grains

To make some of us who say Morning Prayer on our own accountable, we gather our thoughts using Twitter #cLectio – some are now using Facebook too. It is a company I find helpful. I look forward to our daily posts, some of which are quite challenging. Hashtag cLectio was the brainchild of friend and colleague @theosoc Christopher Burkett. #cLectio stands for the (Revised) Common Lectionary – that’s the “c”, see? The lectionary lists readings for worship for each day of the year. (There’s an app for daily prayer using the lectionary readings.)

Posts are often our first thoughts, sometimes our only thoughts, and other times they’re more thoughtful. Anyone can join in, either daily or occasional. At the moment we are reading through the book of Job. This is an amazing piece of ancient literature which is a sustained reflection on suffering, faith and friendship: questions which remain contemporary through the ages.

In this week’s clection we’ve been gobsmacked by Job’s friend, Eliphaz. Alan Jewell, @VicarAlan, scoffed: “With friends like Eliphaz ….” while Christopher complained “Eliphaz really gets to me, I so dislike what he says”. Eliphaz’s windy words and miserable comfort have made us reflect on what we say and how we respond to suffering and grief – thoughts made more urgent with events at Grenfell Tower and Finsbury Park.

We’re not meant to like Eliphaz and his words warn us off from being a friend like him. My “clection of the day” yesterday arose from some of Eliphaz’s words from the appointed reading, Job 15.

Your sin prompts your mouth;
you adopt the tongue of the crafty.
Your own mouth condemns you, not mine;
your own lips testify against you.

How very dare he? In fact, it’s these windy, wounding words that condemns Eliphaz to the readers’ ridicule. But there is a truth in what Eliphaz says. Our “sin” does prompt our mouths and we do utter our attitudes. We have a proverb that says that eyes are the windows of the soul. But if we speak from the heart what we say is also a reflection of our heart and soul.

So I got to pray:

And I remembered the question raised by Malcolm Guite in a poem from his Singing Bowl:

What if every word we say
Never ends or fades away,
Gathers volume gathers weigh,
Drums and dins us with dismay
Surges on some dreadful day
When we cannot get away
Whelms us till we drown?

What if not a word is lost,
What if every word we cast
Cruel, cunning, cold, accurst,
Every word we cut and paste
Echoes to us from the past
Fares and finds us first and last
Haunts and hunts us down?

What if every murmuration,
Every otiose oration
Every oath and imprecation,
Insidious insinuation,
Every blogger’s aberration,
Every facebook fabrication
Every twittered titivation,
Unexamined asservation
Idiotic iteration,
Every facile explanation,
Drags us to the ground?

What if each polite evasion
Every word of defamation,
Insults made by implication,
Querulous prevarication,
Compromise in convocation,
Propaganda for the nation
False or flattering peruasion,
Blackmail and manipulation
Simulated desparation
Grows to such reverberation
That it shakes our own foundation,
Shakes and brings us down?

Better that some words be lost,
Better that they should not last,
Tongues of fire and violence.
O Word through whom the world is blessed,
Word in whom all words are graced,
Do not bring us to the test,
Give our clamant voices rest,
And the rest is silence.

I am so grateful for the #cLectio community.

Migrant Mother - Dorothea Lange 1936 — Migrant Mother – Dorothea Lange 1936

In her beautiful blog, Maria Popova describes Reverend Victoria Stafford’s meditation in The Small Work in the Great Work (in the collection The Impossible Will Take a Little While: Perseverance and Hope in Troubled Times) as “gorgeous”. Stafford is “interested in what Seamus Heaney calls the meeting point of hope and history, where what has happened is met by what we make of it. What has happened is met midstream by people who are … spiritual beings and all that implies from creativity, imagination, crazy wisdom, passionate compassion, selfless courage, and radical reverence for life.” Here is how Heaney puts it in The Cure at Troy where hope and history rhyme:

Human beings suffer,
They torture one another,
They get hurt and get hard.
No poem or play or song
Can fully right a wrong
Inflicted and endured.

The innocent in gaols
Beat on their bars together.
A hunger-striker’s father
Stands in the graveyard dumb.
The police widow in veils
Faints at the funeral home.

History says, don’t hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.

So hope for a great sea-change
On the far side of revenge.
Believe that further shore
Is reachable from here.
Believe in miracle
And cures and healing wells.

Popova frames her post with Dorothea Lange’s iconic photograph of Migrant Mother. The woman moved by Lange is possibly a Californian pea picker in the Great Depression. Perhaps Popova has been prompted to turn to this photo by Stafford’s anecdote:

“I have a friend who traffics in words. She is not a minister, but a psychiatrist in the health clinic at a prestigious women’s college. We were sitting once not long after a student she had known and counselled, had committed suicide… My friend, the doctor, the healer, held the loss very closely in those first few days, not unprofessionally, but deeply, fully – as you or I would have, had this been someone in our care.

At one point (with tears streaming down her face), she looked up in defiance (this is the only word for it) and spoke explicitly of her vocation, as if out of the ashes of that day she were renewing a vow or making a new covenant (and I think she was). She spoke explicitly of her vocation, and of yours and mine. She said, “You know I cannot save them. I am not here to save anybody or to save the world. All I can do – what I am called to do – is to plant myself at the gates of Hope. Sometimes they come in; sometimes they walk by. But I stand there every day and I call out till my lungs are sore with calling, and beckon and urge them toward beautiful life and love.”

Michael Sadgrove also claims the “gate” as the standpoint for Christian ministry. Considering Job in his book Wisdom and Ministry, Sadgrove asks about the piety required of those who are called to be friends and comforters to those who have to endure pain, and says that we don’t stand apart from suffering humanity, but face the world as it is. “We must often sit among the ahses where Job is, and must always go outside the gate to the place of the skull, where Jesus is.”

Opening the gate of Hope at the meeting point of hope and history begins with holding a moment (as in Lange’s photo) closely and deeply, and meeting that with all that we are. For me, this is a passionate rendition of all the pastoral cycle seeks to do in theological reflection and pastoral practice. The final word goes to Victoria Stafford: “Whatever our vocation, we stand, beckoning and calling, singing and shouting, planted at the gates of Hope.” There we see the world “as it is and as it could be; the place from which you glimpse not only struggle, but joy in the struggle” Dorothea Lange’s Migrant Mother is in the public domain.

Tag: Job

This week’s clection: a community gathered round a hashtag

The gateway where hope and history rhyme