“How do we present ourviews in the fullness of our embodied and perspectival commitment, withoutfalling back into a pre-modern universalism that has rightly been criticised asexpressing the will to power of those who have been able to express theirviews? I suggest it is not by pretending to an intellectual neutrality which inany case is only a pose, but rather by acknowledging and affirming the conditionsof time and space, which limit our perspectives as well as giving them theirdistinctive perspectival power… We should not hold our views so tightly that wecannot appreciate the perspectival truths embodied in the lives and works ofothers. We should think of our ‘truth claims ‘as the product of embodied thinking not as terminally boreduniversally valid thought.”
Christ, C P. 1988, Embodied thinking: reflections on feminist theological method. Journal of Feminist Studies in Religion 5, 1 – page 15.
learning organisations
What I would see and praise
What I would see
mid all the stress and tension of these days
what I would see beyond my pain and, seeing, praise
is how life works its way upon
our thick, opaque obduracy
presses down and pulls us out
to tissue-thin transparency:
yes, praise.
I would not choose to stretch this way.
Unwillingly I find myself drawn membrane-thin
so others can see through and in.
I would prefer to hold my dark
to guard my secrets safe behind
a studied public face –
but stretched reveal a larger life
admit a light beyond my own
and letting through these stronger, brighter rays
I praise.
Einstein
Failures and mistakes
Leadership is “going from failure to failure without losing enthusiasm.” (Winston Churchill)
Founder of Polaroid, Edwin Land, had a small plaque on his office wall which read: “A mistake is an event the full benefit of which you have not yet turned to your advantage.”
Victims of violence
Mentoring
Lines of Thought
“I really don’t see the point of reading in straight lines. We don’t think like that and we don’t live like that. Our mental processes are closer to a maze than a motorway, every turning yields another turning, not symmetrical, not obvious. Not chaos either.”
Jeanette Winterton, 2001, Oranges Are Not The Only Fruit. Vintage – quote picked up from Friday Mailing
Surplus of meaning
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| a work of art in the Cheshire countryside |
It has been good to be involved in the development of an Arts & Faith Network (for the Diocese of Chester), and to be “breathing space” at Stephen Broadbent’s studio yesterday with textile artists, stained glass artists, wordsmiths, dancers, painters, sculptors, actors, authors, poets, cooks, singers, preachers and “makers of pretty things”. Until yesterday the Network hadn’t been much more than an idea shared by a few people and it was difficult to put into words what it was about and what could happen. Now it has got legs, is on the road, and has its own story – “the day we met at Stephen and Lorraine’s, when our exploration of the interaction of arts and faith was facilitated by Simon Marsh with background percussion of water overflowing into a pond…..”
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| The (overflowing) River of Life sculpture by Stephen Broadbent at Warrington at the site of a terrorist bomb explosion which killed two children. |
There were so many good things, including a wonderful rendition of The Rose by Simon (spoken, not sung), and, we discovered a “surplus of meaning” as we joined our own creative endeavours to those of others. Surplus of meaning doesn’t mean that there is too much – rather, there is so much. The meaning of our insulation block sculptures co-mingled with the meaning given to them by others, with meaning pinned to meaning. Of course, Ricoeur was right. There is a surplus meaning as one meaning gives itself to another, transforming itself in the giving. Nothing we can do, or create can provide an adequate container for our meaning. Meaning is so abundant it has to overflow. It overflows into convivial and meaningful community, good times, great company.
There are, though, those in whom there is no sense of meaning – including some in this emerging network who described the meaninglessness of past experiences. Is this where art and faith come together, making sense when we are oppressively or depressively crushed?
Simon Marsh and Sarah Anderson have both posted on the Arts and Faith launch.
from Max Warren
When we approach the man of another faith than our own it will be in a spirit of expectancy to find how God has been speaking to him and what new understandings of the grace and love of God we may ourselves discover in this encounter. Our first task in approaching another people, another culture, another religion, is to take off our shoes, for the place we are approaching is holy. Else we may find ourselves treading on men’s dreams. More serious still, we may forget that God was here before our arrival.
Picked up from Simon Marsh’s blog.


